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Emile Schuffenecker Fresne-Saint-Mammes 1851- Paris 1934
Head of a Youn Girl
1' 5 3/4'' x 1' 2 3/4''(45 x 37.5 cm)
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Emile Schuffenecker A Cove at Concarneau mk235
1887
Oil on canvas
38.1x55.2cm
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Emile Schuffenecker Corner of a Beach at Concarneau 1887(1887)
Oil on canvas
38.1 ?? 55.2 cm (15 ?? 21.73 in)
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Emile Schuffenecker The Square 1885(1885)
Oil on canvas
84.5 ?? 100 cm (33.27 ?? 39.37 in)
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Emile Schuffenecker Corner of a Beach at Concarneau 1887(1887)
Oil on canvas
38.1 X 55.2 cm (15 X 21.73 in)
cjr
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Emile Schuffenecker Rocks at Yport 1889(1889)
Oil on canvas
81.5 X 59.5 cm (32.09 X 23.43 in)
cjr
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Emile Schuffenecker The Square 1885(1885)
Oil on canvas
84.5 X 100 cm (33.27 X 39.37 in)
cjr
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Emile Schuffenecker Coucher de soleil a Concarneau Date 1887(1887)
Medium Oil on canvas
Dimensions 38.1 X 55.2 cm (15 X 21.73 in)
cyf
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Emile Schuffenecker Rochers a Yport Date 1889(1889)
Medium Oil on canvas
Dimensions 81.5 X 59.5 cm (32.09 X 23.43 in)
cyf
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Emile Schuffenecker Le Square au Luxembourg Date 1885(1885)
Medium Oil on canvas
Dimensions 84.5 X 100 cm (33.27 X 39.37 in)
cyf
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Emile Schuffenecker Portrait de Madame Champsaur 1890(1890)
Oil on canvas
cjr
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Emile Schuffenecker Portrait de Madame Champsaur 1890(1890)
Medium Oil on canvas
cyf
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Emile Schuffenecker
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French Post-Impressionist Painter, 1851-1934
French painter. In 1871 he entered the stockbroking firm of Bertin, where he met Paul Gauguin who was also employed there. In his spare time he took drawing classes and studied with Paul Baudry and Carolus-Duran, making his debut at the Salon in 1874. He also became acquainted with Armand Guillaumin and Camille Pissarro. Following the stock market crash of 1882, he, like Gauguin, was forced to leave Bertin and gained a job teaching art at the Lycee Michelet in Vanves. In 1884 he was one of the co-founders of the Salon des Independants and took part in the 8th and last Impressionist Exhibition in 1886, the year in which he also met Emile Bernard in Concarneau and sent him on to see Gauguin, thus initiating their joint development of CLOISONNISM. Though he mixed with the members of the Pont-Aven group his own artistic tastes were very different. While Gauguin and his disciples had little more than contempt for Neo-Impressionism, Schuffenecker was much interested in pointillist techniques.
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